Logos Theatre Co

All knoen crew members and administrators involved in Logos productions are listed below in alphabetic order of surname. Where someone has helped with more than one production, the relevant productions are listed in chronological order, beginning with the most recent.

We are still trying to complete the archive. Please feel free to point point out any errors or omissions to Roger Sansom: roger@logostheatre.co.uk.

This site also includes similar lists of directors and actors.

A \| B \| C \| D \| E \| F \| G \| H \| I \| J \| K \| L \| M \| N \| O \| P \| Q \| R \| S \| T \| U \| V \| W \| X \| Y \| Z
A
Paul	Agar	Richard II (fight arranger)
Gerard	Ahearn	King Lear (1991) (stage manager)
Annette	Allen	Life Is a Dream (deputy stage manager)
Monia	Antonioli	The Social Climber (photography)
Rebecca	Applin	Richard II (composer)
James	Ashley Down	Scapin's Tricks (lighting design) Life Is a Dream (lighting)
B
Sebastian	Barraclough	The Rivals (lighting)
Sam	Bain	Ghosts (administrator)
Eleanor	Baker	Twelfth Night (1990) (co-designer)
Saira	Baker	The Importance of Being Earnest (2000) (stage manager)
Michael	Baldwin	The Social Climber (costume design)
Deirdre	Barber	Androcles and the Lion (costumes)
Conrad	Blakemore	Endgame (photography)
Jane	Boyd	Endgame (casting, press and publicity)
Barbara	Brady	Measure for Measure (costumes) The Merchant of Venice (costumes)
Scott	Bridgens	Charley's Aunt (assistant stage manager)
Nicky	Bunch	Endgame (costumes)
Michelle	Burke	Scapin's Tricks (assistant stage manager)
C
Didi	Chapman	Charley's Aunt (costumes) Ghosts (costumes) Richard II (costumes) The Cherry Orchard (costumes) Romeo and Juliet (costumes) The Rivals (costumes) Scapin's Tricks (costumes) Life Is a Dream (costumes)
Katy	Clarke	The Cherry Orchard (design)
Stephanie	Connell	The Social Climber (new media)
Lucie	Coulton	Charley's Aunt (deputy stage manager)
Rowan	Coupe	The Social Climber (sound engineering)
Gabriella	Csanyi-Wills	Scapin's Tricks (design)
Richard	Cullen	Romeo and Juliet (lighting design)
D
John	Dalton	The Social Climber (scenic artist) The Importance of Being Earnest (2010) (set construction) "I'll Leave It to You" (set painter) The Cherry Orchard (set design)
Carolyn	Daniels	Measure for Measure (costumes) The Merchant of Venice (costumes)
Jane	Davies	The Roman Actor (assistant director) Macbeth (design)
Ellen	Dick	"I'll Leave It to You" (ASM/understudy)
Alex	Dougherty	The Cherry Orchard (poster design)
E
Derek	Easton	Charley's Aunt (wigs)
Linzi	Else	The Social Climber (choreography)
F
Charlie	Frank	John Gabriel Borkman (stage manager) I Have Been Here Before (stage manager)
Michael D	Ford	Charley's Aunt (set design)
Rosemary	Francis	The Social Climber (stage manager)
Kate	Frith	The Importance of Being Earnest (2000) (design) The Tempest (design) The School for Wives (design)
G
Fiona	George	Scapin's Tricks (props buyer)
Barbara	Gormley	The Social Climber (costume maker)
Paddy	Gormley	The Social Climber (print design) The Importance of Being Earnest (2010) (programme design)
Will	Gormley	The Social Climber (live music consultant)
Stuart	Graham	Ghosts (technical manager)
Sarah	Griffin	The Social Climber (technician)
Katy	Griffiths	Ghosts (studio manager)
H
Matthew	Hales	Charley's Aunt (stage manager)
Suzy	Hart	The Cherry Orchard (deputy stage manager)
Melissa	Holston	Scapin's Tricks (publicity design)
Fiona	Hopkins	Richard II (design)
Margaret	Hotine	King Lear (1991) (notes and background material)
Sarah	Howes	Measure for Measure (costume assistant) The Merchant of Venice (costume assistant)
J
Deanna	Johnson	Twelfth Night (1990) (stage manager)
Richard	Jowett	John Gabriel Borkman (design) I Have Been Here Before (design)
K
Anjali	Kale	The Importance of Being Earnest (2010) (stage manager / technician)
Rachel	Kaplan	Romeo and Juliet (stage manager)
Jonathan	Kennedy	The Cherry Orchard (theatre manager)
Hannah	Kester	The Cherry Orchard (lighting & stage manager)
Paul	Knott	Richard II (lighting)
L
Tristan	Langlois	Scapin's Tricks (period movement advisor)
Phil	Lea	John Gabriel Borkman (lighting design) I Have Been Here Before (lighting design) Measure for Measure (lighting design) The Merchant of Venice (lighting design) King Lear (1991) (lighting design) The Roman Actor (lighting design) Macbeth (lighting design)
Philippa	Leckenby	Measure for Measure (set painter) The Merchant of Venice (set painter) King Lear (1991) (design)
M
Francis	Mander	Charley's Aunt (production photographs)
Lawrence	Maskell	Twelfth Night (1990) (co-designer)
Tom	Matthews	The Cherry Orchard (technician)
Belinda	Maxwell	Macbeth (stage manager)
Dave	McCabe	The School for Wives (lighting design)
Cassie	McCallin	The Rivals (stage manager)
Andrew	McRob	The Importance of Being Earnest (2010) (assistant designer) "I'll Leave It to You" (costumes)
Prav	Menon-Johansson	The Importance of Being Earnest (2010) (designer) "I'll Leave It to You" (designer & photographer) Ghosts (design)
Alisa	Morris	"I'll Leave It to You" (lighting/sound technician
Mehmet	Mustafa	Richard II (stage manager)
N
Richard	Newman	Charley's Aunt (design) Endgame (design)
Susanna	Nielson	The Importance of Being Earnest (2000) (LX operator)
Sue	Nye	The Rivals (dance steps)
O
Dermot	O'Brien	Romeo and Juliet (fight arranger) Life Is a Dream (publicity and printing) John Gabriel Borkman (administrator) Measure for Measure (design, marketing, printing and administration) Measure for Measure (design, marketing, printing and administration) Macbeth (stage fight director)
Nadia	Ostacchini	The Social Climber (publicity)
P
Iain	Peacock	Ghosts (assistant stage manager)
Racky	Plews	The Importance of Being Earnest (2010) (technical manager)
Claire	Porter	Measure for Measure (costumes) The Merchant of Venice (costumes)
Sean	Prior	The Importance of Being Earnest (2010) (theatre manager)
Tom	Pye	Twelfth Night (1990) (co-designer)
R
John	Raper	The Importance of Being Earnest (2010) (audio consultant)
Louise	Raphael	The Cherry Orchard (dance direction)
Kate	Read	The Importance of Being Earnest (2000) (design) The Tempest (design) The School for Wives (design)
Lindsey	Readman	The Social Climber (choreography)
Sades	Robinson	Measure for Measure (costume supervison & design) The Merchant of Venice (costume supervison & design)
Andrew	Rungen	The Roman Actor (stage manager)
S
Roger	Sansom	The Importance of Being Earnest (2010) (script consultant)
Tim	Shoesmith	King Lear (1991) (assistant director)
James	Silbers	Ghosts (stage manager)
Richard	Sirot	Twelfth Night (1990) (publicity)
Carola	Stewart	The Importance of Being Earnest (2010) (xasting) Charley's Aunt (casting and assistant director) Ghosts (casting and assistant director)
Kate	Stillman	The School for Wives (stage manager)
Edmund	Sutton	The Social Climber (lighting design)
T
Amanda	Tait	Scapin's Tricks (stage manager) Life Is a Dream (stage manager)
Jill	Thomson	Measure for Measure (stage manager) The Merchant of Venice (stage manager)
W
Charlotte	Ward	Ghosts (press and marketing)
James	Whiteside	The Importance of Being Earnest (2000) (lighting design)
Ed	Wirtz	Richard II (set construction)
Y
Jennie	Yates	The Social Climber (lighting design)
Charles	Yorke	The Importance of Being Earnest (2010) (poster cartoonist) "I'll Leave It to You" (poster) Charley's Aunt (poster)

Z
	Zoran Matic	The Importance of Being Earnest (2010) (production photography)

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